THE CASE OF AN INCURABLE OBSESSION, by Art Smukler, author & psychiatrist

I just finished reading South of Broad, by Pat Conroy and A Drop of the Hardstuff, by Lawrence Block. Both books were terrific. I learned more about human nature and experienced how the characters dealt with the trauma of their lives. Conroy and Block know how to make that happen. I love being so immersed in a novel that all I can think about is how the main character will survive and win.

Am I on the way to that elite class? Hundreds of people think that Chasing Backwards is also terrific. They tell me they were up all night reading and woke up exhausted. They ask when the sequel is coming out. Part of me is excited. Part of me can’t believe it’s happening.

My wife accuses me of being obsessed, always in front of the computer writing. Is that all you think about? She asks.

You probably know the story of the scorpion and the frog.

“Give me a lift over to the island,” the scorpion says to the frog.

“No. You’ll sting me and I’ll die,” the frog says.

“If I sting you, we’ll both die. That makes no sense,” the scorpion responds.

The frog reluctantly agrees, and the scorpion hops on his back. Halfway to the island, the scorpion stings the frog and they both sink into the water.

“Why did you do that?” the frog croaks, in his dying breath.

“It’s in my nature,” the scorpion says, and drowns.

So, maybe I’m a lot like the scorpion — driven and loving the whole process.

Maybe one day readers will say, I just read Smukler, Conroy and Block. They know how to do it. I never wanted the book to end.

Having an incurable obsession is working. If someone tries to give me psychotherapy or Prozac, I’ll savagely fight them. I don’t want this obsession to go away. I don’t want to be cured! Sometimes having an incurable obsession can get you into medical school or make you into a respected writer.

Sometimes an incurable obsession can simply be called PASSION.

Writers, readers, and therapists, what are your experiences with obsessions?

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HOW DO YOU DEAL WITH AN ELEPHANT IN THE ROOM? by Art Smukler author and psychiatrist

Dealing with an elephant in the room can be very challenging. Fear, guilt and political incorrectness, are the main reasons why we avoid pointing out what’s sitting right there in front of us.

My father’s a violent drunk, and he’ll beat the crap out of me if I say  anything.

I hate my mother, but feel too guilty to tell her, and that’s why we speak in boring platitudes.

Saudi Arabia continues to spawn terrorists, but we need oil so we don’t do anything about it.

At Joe Paterno’s memorial service, Phil Knight, Nike founder and CEO, was the 1st to bring up the catastrophic sex scandal that rocked Paterno’s legacy and may have even contributed to his rapid demise. Twelve thousand people were in attendance when he stated that he thought Paterno should have been treated by the PSU board and the media in a more respectful manner. It took courage to expose what was obviously on most of the attendees minds. To pretend that there was nothing amiss would have been bizarre.

How we deal with “elephants in the room” is extremely important in both writing and psychotherapy. The essence of creating good fiction is creating conflict, and the essence of good therapy is exposing and removing conflict.

Pat Conroy is a master at creating “elephants in the room” and then exposing them. The Catholic Church and how it relates to his “saintly” mother, in South of Broad, is a fascinating study in how to deal with a life-and-death secret. In Chasing Backwards, Art Smukler’s main character shows how his life depends on exposing the “elephant in the room” that his mother never divulged. Secrets are always fun to read about.

In fiction, how we deal with “an elephant in the room” can make or break a novel’s effectiveness. In real life, it’s usually more helpful to call an elephant an elephant and learn to deal with the roaring and potential stampede.

How do you deal with “elephants in the room”? Any advice? Any examples?

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